“…the people formerly known as the audience refused to behave like one. They brandished video cams, iPhones and recorders, doing their own documentation of what was under way.” David Carr in the New York Times.
“The goal is to bring down the walls of the convention and invite in an audience that’s as large as possible. Credentialing more bloggers opens up all sorts of new audiences.” Aaron Myers, the director of online communications for the Democratic National Convention Committee, quoted in the New York Times.
“…most notably 1946 to 1974, when a pervasive concern to combat and contain communism prompted an unprecedented yet uncoordinated array of initiatives by the federal government to export American culture as exemplary illustrations of what the free world had to offer Europe as well as developing nations.” Michael Kammen writing in the book The Arts of Democracy: Art, Public Culture, and the State, quoted by John Brown in his review of said book.
“During the Cold War, the transatlantic community understood that pulling allies closer, not just countering enemies, was a priority for public diplomacy.” Kristin Lord in Public Diplomacy and the New Transatlantic Agenda.
“Since the Russian invasion of Georgia there has been a lot of discussion about the media war and who won it. … But another aspect seems to have received a little less attention – namely the nature of the media’s coverage and how it differed from other wars.” Daniel Korski in the Future of War Reporting.